8 The most important principle before creating a beautiful home interiors

8 The most important principle before creating a beautiful home interiors

8 The most important principle before creating a beautiful home interiors. According to the designers Joelle Nesen, no pelaturan when designing the interior of the house. But there are some tips and tricks for you all. When we were talking to Nesen, the founder of a company that has a base Mailson areas of Portland, Jenny Guggenheim and sesain architecture studios, to gain insight into the design process interior.

8 The most important principle before creating a beautiful home interiors

8 The most important principle before creating a beautiful home interiors

8 The most important principle before creating a beautiful home interiors

If you’re designing the interior of the house well, you can do all are to the interior of your home. To have a beautiful home design, be sure to follow the eight principles – fundamental principles.

1. Plan for real life

In the process of interior design, “Planning the first space,” said Nesen. According to the American Institute of Architects, including space planning interior spatial area, should menerapakan circulation patterns, and develop a plan for furniture layout and placement of equipment.

Both Nesen and Guggenheim suggests that every interior design project begins with an assessment of the functional shortcomings of the room and can be manipulated to better suit the tastes of its inhabitants. “We tried to be really thoughtful about how people use home space,” said Guggenheim. He often asked: “What do you need in your space and how you move with your daily life?”

The purpose of planning is to create space efficiency. For the Guggenheim, this means avoiding decisions. “We found that most of our clients come to us thinking they need more space” he says. “We are trying to lead towards simple solutions.”

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2. Create a vision

Once the designer has an idea of ​​how the space should work, they run with the desired aesthetic requirements of the client and the atmosphere, to create a concept for the space.

“We take a global approach versus simply choosing a paint color or the couch,” said Nesen. “It’s really about creating a vision. There is a timelessness and longevity to the interior when you can implement a vision that has been well thought out.”

For designers, communicates this concept is similar to the story. Nesen said: “You should be able to tell the story of how the interior will come together with all the different elements and pieces.”

3. Be thoughtful about materials and construction

“Quality is the key,” said Nesen, as a construction material and affect how someone having finished space. good quality ingredients have “different sounds and feelings of poor quality materials,” said Nesen.

Natural materials rule. The designers at Maison often incorporate fabrics such as wool, silk, and linen, and furniture favors with solid wood construction and or created with good antiques. Nesen warned that spending a lot of money for something that does not mean that you are buying a quality piece.

Instead, evaluate whether something is made of enduring materials and built to last. “This does not mean that everything has to be expensive,” he said. “There can be some great finds at a lower price point.”

4. Juxtapose contrasting element

When a designer combines different materials, shapes, patterns, and textures, the differences between them can improve their innate nature. Understanding this may be counterintuitive, said Nesen. “Some clients will say,” I want this fabric, lamps, and chairs. But items will all have the same visual value. ”

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Alignment is necessary so that the eye can appreciate the difference. “For example, they may all be geometrically because the client is taken to geometry,” he said. “But you can not have all the boxes in your home.” Throw in a circle makes us appreciate more square and create a better flow, he said.

Guggenheim offers another example. “If the client loved the particular tile pattern, but the pattern is very strong, it is important for me that the other elements in the room is quiet, so that’s really important element is strong,” he said. “I want to make sure things are seen and not muddy the adjacent elements.”

5. Layer intentionally details

Stroke sweeping interior design concept that there is no supporting details. Does it scale lampshade or wide stile on the closet door, a good designer should be detail-oriented and will determine all the information in order to best support the overall vision.

“We always check ourselves and make sure going down the right path to meet the objectives of the big picture,” says Guggenheim. “It’s very easy with so many products on the market to say, ‘I like this, this, and this.’ If you do not go back and ask, whether this meets my objectives for space, they may not be the right choice. ”

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6. Be Authentic

Every interior design project must be personalized to the user, just catering to the aesthetic taste and preference. Nesen made sure to integrate the client’s goods every day, as well as heirlooms and antiques.

“You want some things to have authenticity, originality and uniqueness,” he said, whether it’s a candle Grandma or one-off vintage find. “Even if the purpose of the design is its simplicity and modernity, we chose to combine something a little unique, which I think makes the room a bit more interesting.”

7. Strike a balance

Guggenheim prefer to evaluate the overall composition of space for balance rather than deliberately creating a focal point. Nesen agrees, pointing out that finding a balance begins with the architectural features of the room, such as windows and doors, and then add the fruit until equilibrium is found.

He also likes to read and evaluate the space sightlines from different vantage points. “Turn yourself through the room and think about what you are looking at from every angle,” he said.

8. change

“Hiring an interior designer is like hiring an editor,” said Guggenheim. A designer knows when to add or take away elements to achieve the desired effect. “I might say, there are too many elements have one or two of these elements weaken each other, so let’s remove one,” he said.

This included bringing “breathing space” and incorporating negative space into the overall design, in order to present the strongest possible composition. Do not be afraid to get rid of things.

Source www.curbed.com

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